Dec 112016
 

English NEMO-Online Vol. 4 Nos. 6 & 7 : Call for papers Research groups CERMAA, ICONEA and IReMus are seeking papers for the sixth and seventh issues of NEMO. The theme, continued from the theme of NEMO-Online No. 5 (available here), is about ‘Musicology/Ethnomusicology: evolutions, problems, alternatives’. We would like these issues of NEMO to [more…]

Dec 082016
 

(click on the title of each article for the corresponding pdf version / cliquer sur les titres des articles pour télécharger les pdf). The redaction of NEMO-Online is pleased to announce the reissue of NEMO-Online Vol. 1 No. 1 and NEMO-Online Vol. 2 No. 2&3 as individual articles / La rédaction de NEMO-Online a le [more…]

Nov 292016
 

(click on the title of each article for the corresponding pdf version / cliquer sur les titres des articles pour télécharger les pdf). NEMO-Online Vol. 3 : (all pdf articles in this volume are bookmarked for titles, subtitles and figures / tous les articles au format pdf de ce volume contiennent des marque-pages correspondant aux [more…]

Jan 292016
 
Public presentation of Amine Beyhom's book on Byzantine chant - Orient Institut Beirut - 16th February 2016

Amine Beyhom will present his new book on Byzantine chant (and animating a seminar On priests and modes. Or how the author finally got to understand Byzantine chant theory and praxis) in the Orient Institut Beirut on the 16th of February 2016 (from 6:00 to 8:00 p.m. – please see details on http://www.orient-institut.org/index.php?id=12 – pick [more…]

Jan 062016
 

English NEMO-Online No. 5 : Call for papers Research groups CERMAA, ICONEA and IReMus are seeking papers for the fifth issue of NEMO. The theme will be about ‘Musicology/Ethnomusicology: evolutions and problems’. Since its origins as Vergleichende Musikwissenschaft, ethnomusicology struggles to define itself in relation to classical Occidental musicology, the latter being the semantic carrier [more…]

Dec 182015
 
FOREDOFICO joins forces with Sinn el-Fil municipality (Greater Beirut) for the concert of Sabil / FOREDOFICO et la Municipalité de Sinn el-Fil (Grand Beyrouth) soutiennent le concert du groupe Sabil

New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

 Agapios Paliermos, Alphabets, Amine Beyhom, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Anṭūn Hibbī, Apostolos Konstas (« Chios »), Arabian Music, Musique arabe, Arabic, Arabe, Arts, Asia, Bibliography, Bibliographie, Books, Livres, Breton, Brittany, Bulgaria, Byzantine Chant, Chant byzantin, CERMAA, Cermaa general, général CERMAA, Chanters, Chantres, Chourmouzios (Georgiou) Chartophylax, Chrysanthos of Madytos, Contemporary Arabs, Arabes Contemporains, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Fārābī, Folk Music, Musique traditionnelle, Foredofico, Forerunners, Précurseurs, Français, French, Genera, genres, Georges Pachymerus, Georgios de Crète, Germanos Aphtonidēs, Golden Age, Âge d'Or, Grec, Greece, Greek, Gregorios Prōtopsaltēs, Hieronymos, Historical Musicology, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, Iakōbos Peloponnēsios, Ibn Sīnā, Ioannes Plousiadenos, Ioannis de Trébizonde (« Trapezoundios »), Jean Koukouzeles, Iohannes Kukuzeles, Joseph Yazbeck, Kindī, Kosmas le Mélode (« de Jérusalem » - « Agiopolites »), Languages, Langues, Lebanon, Louis-Albert Bourgault-Ducoudray, Makarios Haidamous, Manuel Bryennius, Manuel Chrysaphes (le jeune - The Young), Maqām, mugam, makam, Mediterranean, Middle Ages, Moyen Âge, Mīkhāʾ īl Mashāqa, Modal Systematics, Mode, Modality, Modalité, Modern World, Monde moderne, Moderns, Modernes, Music Aesthetics, Esthétique musicale, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicians, Musiciens, Musicologie comparative, Comparative musicology, Musicology Periods, Musicology, Musicological disciplines, Musique, Musique ancienne, Near-East, Middle-East, Nicolas Malek, Persian Music, Musique persane ou iranienne, Petros Byzantios, Petros Peloponnēsios (« Lambadarios » ; « Hirzis »), Philosophers and Theoreticians, Polyphony, Praxis, Regions and Countries, Research centres, universities and other academical or artistic institution, Romanos Joubran, Romanos le Mélode, Romanos the Melod, Saad Saab, Safiyy-a-d-Dīn, String instruments, Systematical Musicology, Systematists, Systématistes, Tambour (Greek-Grec), Tonal System, Tonality, Système tonal, Tonalité, Tonometry, Mesures de hauteurs, Transliteration, Translittération, Ṭunbūr, Turkey, Turkish Music, Musique turque, Université de la Sorbonne - Paris IV, Urmawī, Zarlino  No Responses »
Oct 252015
 
New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

New book launch from Amine Beyhom Publication du livre d’Amine Beyhom   THÉORIES BYZANTINES DE L’ÉCHELLE ET PRATIQUE DU CHANT BYZANTIN ARABE (Byzantine Scales Theory and Arabian Byzantine Chant Praxis) ISBN: 978-9953-0-3048-7 To buy the book, please follow this link / Pour acheter le livre, clicker sur ce lien. English Amine Beyhom’s new book on [more…]

Mar 262015
 
Ahmed Mukhtar, Iraki virtuoso udist invited for a workshop/demo in Beirut by CERMAA/FOREDOFICO

Ahmed al-Mukhtar, Iraki London based virtuoso ud player and teacher of Arabian music is invited by CERMAA/FOREDOFICO to demonstrate Iraki improvisations in the frame of a Masterclass at the Lebanese Conservatory (CNSML) in Sinn-el-Fil (Beirut-Lebanon), from 15:00 to 17:00 on Thursday the 23rd of April 2015, venue “S”. Mukhtar will also sign his new CD [more…]

 Posted by at 19:38
Mar 262015
 
Richard Dumbrill invited by CERMAA/FOREDOFICO at CNSM

Richard Dumbrill is an English archaeomusicologist. He will speak about ancient Middle-Eastern musical systems at the Lebanese Conservatory in Sinn-el-Fil (Beirut-Lebanon), from 16:30 to 18:00 on Thursday the 23rd of April 2015, venue “S”. Dumbrill’s paper to be translated by Rosy Azar Beyhom during the event. Richard Dumbrill will show that the earliest form of music [more…]

 Posted by at 19:25