Nov 072017
 

English We are delighted at CERMAA to announce that Amine Beyhom, director of the CERMAA, was awarded on the 28th of October 2017, by the Society for Ethnomusicology, the Lois Ibsen Al-Faruqi Prize for the year 2017. The prize is awarded every three years. The video of the presentation speech is available at https://www.facebook.com/TheSocietyForEthnomusicology/videos/1601780733223099/ : [more…]

Jan 292016
 
Public presentation of Amine Beyhom's book on Byzantine chant - Orient Institut Beirut - 16th February 2016

Amine Beyhom will present his new book on Byzantine chant (and animating a seminar On priests and modes. Or how the author finally got to understand Byzantine chant theory and praxis) in the Orient Institut Beirut on the 16th of February 2016 (from 6:00 to 8:00 p.m. – please see details on http://www.orient-institut.org/index.php?id=12 – pick [more…]

New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

 Agapios Paliermos, Alphabets, Amine Beyhom, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Anṭūn Hibbī, Apostolos Konstas (« Chios »), Arabian Music, Musique arabe, Arabic, Arabe, Arts, Asia, Bibliography, Bibliographie, Books, Livres, Breton, Brittany, Bulgaria, Byzantine Chant, Chant byzantin, CERMAA, Cermaa general, général CERMAA, Chanters, Chantres, Chourmouzios (Georgiou) Chartophylax, Chrysanthos of Madytos, Contemporary Arabs, Arabes Contemporains, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Fārābī, Folk Music, Musique traditionnelle, Foredofico, Forerunners, Précurseurs, Français, French, Genera, genres, Georges Pachymerus, Georgios de Crète, Germanos Aphtonidēs, Golden Age, Âge d'Or, Grec, Greece, Greek, Gregorios Prōtopsaltēs, Hieronymos, Historical Musicology, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, Iakōbos Peloponnēsios, Ibn Sīnā, Ioannes Plousiadenos, Ioannis de Trébizonde (« Trapezoundios »), Jean Koukouzeles, Iohannes Kukuzeles, Joseph Yazbeck, Kindī, Kosmas le Mélode (« de Jérusalem » - « Agiopolites »), Languages, Langues, Lebanon, Louis-Albert Bourgault-Ducoudray, Makarios Haidamous, Manuel Bryennius, Manuel Chrysaphes (le jeune - The Young), Maqām, mugam, makam, Mediterranean, Middle Ages, Moyen Âge, Mīkhāʾ īl Mashāqa, Modal Systematics, Mode, Modality, Modalité, Modern World, Monde moderne, Moderns, Modernes, Music Aesthetics, Esthétique musicale, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicians, Musiciens, Musicologie comparative, Comparative musicology, Musicology Periods, Musicology, Musicological disciplines, Musique, Musique ancienne, Near-East, Middle-East, Nicolas Malek, Persian Music, Musique persane ou iranienne, Petros Byzantios, Petros Peloponnēsios (« Lambadarios » ; « Hirzis »), Philosophers and Theoreticians, Polyphony, Praxis, Regions and Countries, Research centres, universities and other academical or artistic institution, Romanos Joubran, Romanos le Mélode, Romanos the Melod, Saad Saab, Safiyy-a-d-Dīn, String instruments, Systematical Musicology, Systematists, Systématistes, Tambour (Greek-Grec), Tonal System, Tonality, Système tonal, Tonalité, Tonometry, Mesures de hauteurs, Transliteration, Translittération, Ṭunbūr, Turkey, Turkish Music, Musique turque, Université de la Sorbonne - Paris IV, Urmawī, Zarlino  No Responses »
Oct 252015
 
New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

New book launch from Amine Beyhom Publication du livre d’Amine Beyhom   THÉORIES BYZANTINES DE L’ÉCHELLE ET PRATIQUE DU CHANT BYZANTIN ARABE (Byzantine Scales Theory and Arabian Byzantine Chant Praxis) ISBN: 978-9953-0-3048-7 To buy the book, please follow this link / Pour acheter le livre, clicker sur ce lien. English Amine Beyhom’s new book on [more…]

Jan 222013
 
Astrakan: New album, and Live album in Beirut

After their workshop in Beirut, Astrakan‘s leading team, Simone Alvez (voice) and Yann Gourvil (guitars, Ꜥūd, sāz etc.) went on and published their first album ; soon after, Yann decided to finish the mix of the Beirut session which is now available for downloading. Yann featured also an interesting percussion instrument for the published album. [more…]

Dec 072012
 

English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to [more…]

Dec 072012
 

English NEMO-Online Vol. 1 No. 1 is available CERMAA is delighted to inform you that the first issue, of Vol. 1 No. 1 (November 2012) is now available. It includes contributions of François Picard (France), Erik Marchand (France), Jacob Olley (Great Britain), Rosy Azar Beyhom (Lebanon), Markos Skoulios (Greece), Richard Dumbrill (Great Britain) et Amine [more…]

Jul 152012
 

Amine Beyhom of CERMAA and Richard Dumbrill of ICONEA presented papers on July 12-14 2012 Conference at the University of the Holy Spirit (USEK) at Kaslik Lebanon. Amine Beyhom spoke about the need for accurate definition in specific terms. Richard Dumbrill spoke of possible Near-Eastern origins of both maqam and Pythagorean systems in Bronze Age [more…]

Jun 072012
 

CERMAA welcomed recently Jean During, a senior researcher at CNRS – France. Jean During led three interviews on June 03 2012 with renowned Lebanese music teachers and musicians Imane Homsy (qanun), Joseph Loueizeh (teacher of singing and numerous other activities – member of CERMAA and founding member of FOREDOFICO) and Saad Saab (`ud teacher and [more…]

Aug 252011
 

We are proud to announce that we have started to implement the bibliography of Arabian and Mediteranean musics on Cermaa’s website.   The first bibliography published to day is the Ꜥūd Bibliography, to be found under “Bibliography > Ꜥūd Bibliography“. It comprises a reasoned choice of references on the Ꜥūd, to be further enriched with [more…]