Two additional Greek and Arabic versions (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2012 by Joseph Yazbeck. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with other CERMAA animated analyses, the [more…]
Release by CERMAA of two additional Greek and Arabic versions (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2011 by fr. Nicolas Malek. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with [more…]
A new page, dedicated to different versions of the chant Kyrie Ekekraxa by Petros Byzantios has been added to the site of the CERMAA. Kyrie Ekekraxa is a well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul). The chant is in the 8th mode (on Νη=c) of the Byzantine Church (equivalent to [more…]
Release by CERMAA of two additional Greek and Arabic versions (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2011 by an Anonymous Cantor. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with [more…]
This the Greek version (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2012 by fr. Makarios Haidamous. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with other CERMAA animated analyses, the upper [more…]
The CERMAA is delighted to publish this video animation (below) of the chant Kyrie Ekekraxa, a well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul). This animation relates to a performance in 2012 by fr. Makarios Haidamous, with the text in Arabic language. The audio was published in Amine Beyhom’s book on [more…]
Release of the first animated video produced at CERMAA. HURRIAN SONG 6 (H6) was arranged by Richard Dumbrill, Amine Beyhom and Rosy Azar Beyhom in 2012, and performed by Lara Jokhadar. The video (below) shows the Pitch analysis of Lara’s voice with Praat, in two sections (upper and lower). The upper section offers a general [more…]
The CERMAA is delighted to publish this call for papers for the 3rd International Musicological and Psaltic Conference on Psaltic Art of the Department of Psaltic Art and Musicology of the Volos Academy for Theological Studies The Conference will take place in the Conference Center of the Holy Metropolis of Demetrias, in Melissiatika, Volos, Greece, [more…]
Rosy Azar Beyhom and Amine Beyhom took part in the “La Modalité au Prisme de la Modernité” (“Modality and Modernity”) Conference in Tunis – Tunisia (7-9 december), at the CMAM which is situated in the Baron d’Erlanger palace An-Najma a-z-Zahra. Rosy Azar Beyhom will be writing a full report on the conference for NEMO-Online. Amine [more…]
English Free download of the articles of Nemo-Online Vol. 4 No. 6 below (click for the pdf version on the corresponding title of each article). Issue 6 of NEMO-Online and editorial will be available in hard copy and pdf with Issue 7 in Volume 4, November 2018. NEMO-Online Vol. 4 Nos. 6 & 7 call [more…]