Release of HURRIAN SONG 6 (H6) by CERMAA (DUMBRILL/BEYHOM/AZAR-BEYHOM) performed by Lara Jokhadar

 Accadien, Akkadian, Alphabets, Amine Beyhom, Ancient, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Archaeology, Archaeomusicology, Arts, Cermaa general, général CERMAA, Ethnomusicology, Ethos, FOREDOFICO, Genera, genres, Historical Musicology, Historical Periods, Périodes historiques, Hittite, Hittite, Hourite, Hurrian, Lara Jokhadar, Music, Musique, Musicians, Musiciens, Musicology Periods, Musicology, Musicological disciplines, Musique, Musique ancienne, NEMO-Online, Pitch Analysis, Praat, Richard Dumbrill, Rosy Azar, Sumerian, Sumerian, Sumérien, Sumérien, Tonal System, Tonality, Système tonal, Tonalité, Tonometry, Mesures de hauteurs  No Responses »
Feb 152018
 

Release of the first animated video produced at CERMAA. HURRIAN SONG 6 (H6) was arranged by Richard Dumbrill, Amine Beyhom and Rosy Azar Beyhom in 2012, and performed by Lara Jokhadar. The video (below) shows the Pitch analysis of Lara’s voice with Praat, in two sections (upper and lower). The upper section offers a general [more…]

CERMAA Director Amine Beyhom awarded the 2017 Lois Ibsen Al-Faruqi Prize / Le prix 2017 Lois Ibsen Al-Faruqi décerné au Directeur du CERMAA Amine Beyhom

Nov 072017
 

English We are delighted at CERMAA to announce that Amine Beyhom, director of the CERMAA, was awarded on the 28th of October 2017, by the Society for Ethnomusicology, the Lois Ibsen Al-Faruqi Prize for the year 2017. The prize is awarded every three years. The video of the presentation speech is available at https://www.facebook.com/TheSocietyForEthnomusicology/videos/1601780733223099/ : [more…]

New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

 Agapios Paliermos, Alphabets, Amine Beyhom, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Anṭūn Hibbī, Apostolos Konstas (« Chios »), Arabian Music, Musique arabe, Arabic, Arabe, Arts, Asia, Bibliography, Bibliographie, Books, Livres, Breton, Brittany, Bulgaria, Byzantine Chant, Chant byzantin, Cantors (Chanters), Chantres, CERMAA, Cermaa general, général CERMAA, Chourmouzios (Georgiou) Chartophylax, Chrysanthos of Madytos, Contemporary Arabs, Arabes Contemporains, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Fārābī, Folk Music, Musique traditionnelle, Foredofico, Forerunners, Précurseurs, Français, French, Genera, genres, Georges Pachymerus, Georgios de Crète, Germanos Aphtonidēs, Golden Age, Âge d'Or, Grec, Greece, Greek, Gregorios Prōtopsaltēs, Hieronymos, Historical Musicology, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, Iakōbos Peloponnēsios, Ibn Sīnā, Ioannes Plousiadenos, Ioannis de Trébizonde (« Trapezoundios »), Jean Koukouzeles, Iohannes Kukuzeles, Joseph Yazbeck, Kindī, Kosmas le Mélode (« de Jérusalem » - « Agiopolites »), Languages, Langues, Lebanon, Louis-Albert Bourgault-Ducoudray, Makarios Haidamous, Manuel Bryennius, Manuel Chrysaphes (le jeune - The Young), Maqām, mugam, makam, Mediterranean, Middle Ages, Moyen Âge, Mīkhāʾ īl Mashāqa, Modal Systematics, Mode, Modality, Modalité, Modern World, Monde moderne, Moderns, Modernes, Music Aesthetics, Esthétique musicale, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicians, Musiciens, Musicologie comparative, Comparative musicology, Musicology Periods, Musicology, Musicological disciplines, Musique, Musique ancienne, Near-East, Middle-East, Nicolas Malek, Persian Music, Musique persane ou iranienne, Petros Byzantios, Petros Peloponnēsios (« Lambadarios » ; « Hirzis »), Philosophers and Theoreticians, Polyphony, Praxis, Regions and Countries, Research centres, universities and other academical or artistic institution, Romanos Joubran, Romanos le Mélode, Romanos the Melod, Saad Saab, Safiyy-a-d-Dīn, String instruments, Systematical Musicology, Systematists, Systématistes, Tambour (Greek-Grec), Tonal System, Tonality, Système tonal, Tonalité, Tonometry, Mesures de hauteurs, Transliteration, Translittération, Ṭunbūr, Turkey, Turkish Music, Musique turque, Université de la Sorbonne - Paris IV, Urmawī, Zarlino  No Responses »
Oct 252015
 
New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

New book launch from Amine Beyhom Publication du livre d’Amine Beyhom   THÉORIES BYZANTINES DE L’ÉCHELLE ET PRATIQUE DU CHANT BYZANTIN ARABE (Byzantine Scales Theory and Arabian Byzantine Chant Praxis) ISBN: 978-9953-0-3048-7 To buy the book, please follow this link / Pour acheter le livre, clicker sur ce lien. English Amine Beyhom’s new book on [more…]

Ahmed Mukhtar, Iraki virtuoso udist invited for a workshop/demo in Beirut by CERMAA/FOREDOFICO

Mar 262015
 
Ahmed Mukhtar, Iraki virtuoso udist invited for a workshop/demo in Beirut by CERMAA/FOREDOFICO

Ahmed al-Mukhtar, Iraki London based virtuoso ud player and teacher of Arabian music is invited by CERMAA/FOREDOFICO to demonstrate Iraki improvisations in the frame of a Masterclass at the Lebanese Conservatory (CNSML) in Sinn-el-Fil (Beirut-Lebanon), from 15:00 to 17:00 on Thursday the 23rd of April 2015, venue “S”. Mukhtar will also sign his new CD [more…]

 Posted by at 19:38

Richard Dumbrill invited by CERMAA/FOREDOFICO at CNSM

Mar 262015
 
Richard Dumbrill invited by CERMAA/FOREDOFICO at CNSM

Richard Dumbrill is an English archaeomusicologist. He will speak about ancient Middle-Eastern musical systems at the Lebanese Conservatory in Sinn-el-Fil (Beirut-Lebanon), from 16:30 to 18:00 on Thursday the 23rd of April 2015, venue “S”. Dumbrill’s paper to be translated by Rosy Azar Beyhom during the event. Richard Dumbrill will show that the earliest form of music [more…]

 Posted by at 19:25

Le livre d’Amine Beyhom Théories de l’échelle et pratiques mélodiques chez les Arabes ‎–‎ Tome 1 est en accès libre sur internet

Nov 252014
 

Français Le livre d’Amine Beyhom Théories de l’échelle et pratiques mélodiques chez les Arabes ‎–‎ Tome 1 est en accès libre sur internet. La version proposée (V. 1.01) a été revue et corrigée.Vous pouvez télécharger librement la version en basse résolution (impression possible à 150 ppp) à l’adresse : http://foredofico.org/CERMAA/?p=482. Bonne lecture…   English Amine [more…]

 Posted by at 12:02

Call for papers for/ Appel à contributions pour/ NEMO-Online No. 2

Feb 062013
 

English NEMO-Online No. 2 : Call for papers Research groups CERMAA, ICONEA and PLM are seeking papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and subject to editorial rules. Papers to be sent before the end of July 2013 [more…]

FOREDOFICO, CERMAA and ICONEA with the “Friends of the National Museum” foundation to produce a documentary film on the Making of Hurrian Song H.6.

Dec 272012
 
FOREDOFICO, CERMAA and ICONEA with the "Friends of the National Museum" foundation to produce a documentary film on the Making of Hurrian Song H.6.

In October 2012, ICONEA Director Richard Dumbrill visited Lebanon, initially to attend a conference in Beirut on Rituals in the Ancient Levant. The conference was cancelled following a bombing in the metropolis. Dumbrill seeked help from CERMAA/FOREDOFICO to produce a documentary film on the subject he had intended to give at the National Museum. The [more…]

Theme for/Thème de NEMO-Online N° 2

Dec 072012
 

English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to [more…]

The first issue of NEMO-Online Vol. 1 No. 1 is now available / Sortie de NEMO-Online Vol. 1 No. 1

Dec 072012
 

English NEMO-Online Vol. 1 No. 1 is available CERMAA is delighted to inform you that the first issue, of Vol. 1 No. 1 (November 2012) is now available. It includes contributions of François Picard (France), Erik Marchand (France), Jacob Olley (Great Britain), Rosy Azar Beyhom (Lebanon), Markos Skoulios (Greece), Richard Dumbrill (Great Britain) et Amine [more…]

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