English [French translation below] NEMO-Online is delighted to propose this new article by Amine Beyhom on notational tools and graphical analyses of melody and rythm. Musical notation has been reputed as disqualified for the analysis of “Foreign” musics since – at least – the experiments of Charles Seeger with the Melograph. It is nevertheless still [more…]
Rosy & Amine Beyhom participated in the 3rd International Musicological and Psaltic Conference on Psaltic Art of the Department of Psaltic Art and Musicology of the Volos Academy for Theological Studies. The Conference took place in the Conference Center of the Holy Metropolis of Demetrias, in Melissiatika, Volos, Greece, between May 30th (official opening in [more…]
English We are delighted at CERMAA to announce that Amine Beyhom, director of the CERMAA, was awarded on the 28th of October 2017, by the Society for Ethnomusicology, the Lois Ibsen Al-Faruqi Prize for the year 2017. The prize is awarded every three years. The video of the presentation speech is available at https://www.facebook.com/TheSocietyForEthnomusicology/videos/1601780733223099/ : [more…]
English NEMO-Online No. 2 : Call for papers Research groups CERMAA, ICONEA and PLM are seeking papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and subject to editorial rules. Papers to be sent before the end of July 2013 [more…]
The proceedings (French, English and Arabic) of the November 2011 Brest (Brittany) Conference on Modality are available at http://www.drom-kba.eu/IMG/pdf/actesdrom.pdf. The conference program is downloadable at http://www.drom-kba.eu/IMG/pdf/programmecolloque.pdf or http://www.drom-kba.eu/IMG/pdf/conference-program.pdf.
English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to [more…]
CERMAA welcomed recently Jean During, a senior researcher at CNRS – France. Jean During led three interviews on June 03 2012 with renowned Lebanese music teachers and musicians Imane Homsy (qanun), Joseph Loueizeh (teacher of singing and numerous other activities – member of CERMAA and founding member of FOREDOFICO) and Saad Saab (`ud teacher and [more…]
Simone Alvez and Yann Gourvil’s Astrakan directing a workshop and performing in Beirut (see post http://foredofico.org/CERMAA/?p=325) Listening to Astrakan in Beirut Kan al lagouterion 02 (master) 11 Barzh an Infern 03 (master) 11 An Dezertour-rvb 01 (master) 11 An daou gamerad fidel 03 (master) 11 Photo Gallery Please visit Astrakan’s web site: [more…]
The Brest conference on modality took place from the 16th to the 18th of November. Please see http://www.drom-kba.eu/Conference-musicale-Musiques.html and http://www.drom-kba.eu/Colloque-du-Pole-de-la-modalite-et.html. Amine Beyhom, Director of CERMAA, presented a conference with Erik Marchand on the 16th of November, and a paper on un-tempered instruments the next day.
Un atelier de musiques bretonnes a été organisé au CNSML (Conservatoire National Supérieur de Musique au Liban) à l’initiative du CERMAA et de FOREDOFICO, en collaboration avec la direction du conservatoire. Le musicien Yann Gourvil et la chanteuse Simone Alvez, invités par le CERMAA et FOREDOFICO, ont dirigé l’atelier le jeudi 26 avril dans la [more…]