Nov 022018
 

English [French translation below] NEMO-Online is delighted to propose this new article by Amine Beyhom on notational tools and graphical analyses of melody and rythm. Musical notation has been reputed as disqualified for the analysis of “Foreign” musics since – at least – the experiments of Charles Seeger with the Melograph. It is nevertheless still [more…]

Jan 222013
 
Astrakan: New album, and Live album in Beirut

After their workshop in Beirut, Astrakan‘s leading team, Simone Alvez (voice) and Yann Gourvil (guitars, Ꜥūd, sāz etc.) went on and published their first album ; soon after, Yann decided to finish the mix of the Beirut session which is now available for downloading. Yann featured also an interesting percussion instrument for the published album. [more…]

Excerpts from Astrakan concert and workshop in Beirut

 Amine Beyhom, Anthropology, Anthropologie ethnologie, Arabian Music, Musique arabe, Arts, Asia, Ateliers, Workshops, Biniou, Bombarde, Breton, Breton, Breton Music, Musique bretonne, Brittany, Bulgaria, CAMP, Central Asia, CERMAA, Cermaa general, général CERMAA, Clarinette, COLIM, Concerts, Conferences, Conférences, DROM, Erik Marchand, Ethnomusicology, Europe, European Folk Music, Musique traditionnelle européenne, Folk Music, Musique traditionnelle, Foredofico, Guitar, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, India, Indian Music, Musique indienne, Iran, Kreiz Breizh Akademy, Languages, Langues, Languages, Langues, Lebanon, Maqām, mugam, makam, Mediterranean, Membranophone, Modal Systematics, Mode, Modality, Modalité, Modern World, Monde moderne, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicology Periods, Musicology, Musicological disciplines, Musique, Near-East, Middle-East, People, Percussion instrument, Percussions, Persian Music, Musique persane ou iranienne, Polyphony, Praxis, Raga, Regions and Countries, Research centres, universities and other academical or artistic institution, Rosy Azar, Saad Saab, sāz, Simone Alvez, String instruments, Systematical Musicology, Théorie, Theory, Tonal System, Tonality, Système tonal, Tonalité, Ṭunbūr, Turkey, Turkish Music, Musique turque, Yann Gourvil, Ꜥūd  Comments Off on Excerpts from Astrakan concert and workshop in Beirut
Jun 062012
 
Excerpts from Astrakan concert and workshop in Beirut

Simone Alvez and Yann Gourvil’s Astrakan directing a workshop and performing in Beirut (see post http://foredofico.org/CERMAA/?p=325)   Listening to Astrakan in Beirut Kan al lagouterion 02 (master) 11 Barzh an Infern 03 (master) 11 An Dezertour-rvb 01 (master) 11 An daou gamerad fidel 03 (master) 11   Photo Gallery   Please visit Astrakan’s web site: [more…]

May 202012
 

The Brest conference on modality took place from the 16th to the 18th of November. Please see http://www.drom-kba.eu/Conference-musicale-Musiques.html and http://www.drom-kba.eu/Colloque-du-Pole-de-la-modalite-et.html. Amine Beyhom, Director of CERMAA, presented a conference with Erik Marchand on the 16th of November, and a paper on un-tempered instruments the next day.

May 202012
 

Un atelier de musiques bretonnes a été organisé au CNSML (Conservatoire National Supérieur de Musique au Liban) à l’initiative du CERMAA et de FOREDOFICO, en collaboration avec la direction du conservatoire. Le musicien Yann Gourvil et la chanteuse Simone Alvez, invités par le CERMAA et FOREDOFICO, ont dirigé l’atelier le jeudi 26 avril dans la [more…]