English NEMO-Online No. 2 : Call for papers Research groups CERMAA, ICONEA and PLM are seeking papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and subject to editorial rules. Papers to be sent before the end of July 2013 [more...]
Posted by admin at 17:28 Tagged with: Accadien, Accordage, Accordage et Tempéraments, Acoustics, Acoustique musicale, Africa, Afrique, Afrique du Nord, Ajnās, Akkadian, Albania, Albanie, Allemagne, Allemand, Ancient Greek, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Anthropologie ethnologie, Anthropology, Anthropologie ethnologie, Antiquité, Antiquité du Moyen-Orient, Arabe, Arabic, Arabian Music, Musique arabe, Arabic, Arabe, Archaeomusicology, Archéomusicologie, Arts, Asia, Asie, Asie Centrale, Bretagne, Brittany, Brittonish music, Bulgaria, Bulgarie, Byzantine Chant Byzantin, Central Asia, Centres de recherches, CERMAA, China, Chine, Chypre, Citer et référencer dans NEMO, Citing and Referencing in NEMO, Cognition musicale, Corfou, Croatia, Croatie, Cyprus, Dang, Dastgah, Disciplines musicologiques, échelles, Echelles musicales, écoute et perception musicales, Egypt, Égypte, Espagne, Ethnologie-Anthropologie, Ethnomusicologie, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Exégèse, Exegesis, Folk Music, Musique traditionnelle, Foredofico, France, Genera, genres, Genres, German, Germany, Geuthner, Grande-Bretagne, Great-Britain, Grec Ancien, Grèce, Greece, Harmonie modale, Historical Musicology, Historical Periods, Périodes historiques, Hongrie, Hourrite, Human Sciences, Sciences humaines, Hungary, Hurrite, Iconea, Inde, India, Indian Music, Musique indienne, Instruments de Musique, Iran, Iranian Music, Italie, Italy, Japan, Japon, Jazz, Jins, Jordan, Jordanie, Languages, Langues, Languages, Langues, Lebanon, Liban, Macédoine, Macedonia, makam, Malta, Malte, Manuscripts, Manuscrits, Maqam, Mediterranean, Méditerranée, Middle Ages, Moyen Âge, Middle-East, Modal harmony, Modalité, Modality, Mode, Modern period, Monde Antique, Moyen Âge, Moyen-Orient, mugam, Music Cognition, Music Perception, Music, Musique, Musical Instruments, Instruments de musique, Musical Scales, Musicians and Musicologists, Musiciens et Musicologues, Musicological disciplines, Musicologie, Musicologie historique, Musicologie systématique, Musicology, Musique, Musique ancienne, Musique arabe, Musique Bretonne, Musique indienne, Musique iranienne et/ou persane, Musique persane ou iranienne, Musique traditionnelle, Musique traditionnelle européenne, Musique turque, Musiques indiennes ou de l'Inde, Musiques populaires ou traditionnelles, Musiques traditionnelles européennes, Musiques turques et/ou de Turquie, Near-East, NEMO-admin, NEMO-English-Anglais, NEMO-French-Français, NEMO-Volume, North Africa, Pakistan, Période moderne, Périodes Historiques, Periodicals, Persian Music, Musique persane ou iranienne, Philosophers and Theoreticians, Philosophes et Théoriciens, PLM, Polyphonie, Polyphony, Pop, Pratique, Praxis, Proche-Orient, Proche-Orient Ancien, Raga, Rap, Regions and Countries, Régions et pays, Research centres, Revues, Rock, Romania, Roumanie, Russia, Russie, Scales, Sciences humaines, Slovakia, Slovaquie, Spain, Sumerian, Sumérien, Syria, Syrie, Systematical Musicology, Système tonal, Temperament, Théorie, Théorie, Theory, Tonal System, Tonalité, Tonality, Tuning, Tuning and Temperament, Turkey, Turkish Music, Musique turque, Turquie, Université Paris-Sorbonne, universités ou autres institutions liées aux arts et à la musique, universities and other academical or artistic institutions, University of London
Dec 072012
English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to [more...]
Posted by admin at 01:02 Tagged with: Africa, Âge d’Or, America, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient World, Monde Antique, Anthropology, Anthropologie ethnologie, Arabes Contemporains, Arabian Music, Musique arabe, Archaeomusicology, Arts, Asia, Bibliography, Bibliographie, Biniou, Bombarde, Books, Livres, Breton Music, Musique bretonne, British Museum, Byzantine Chant, Chant byzantin, CERMAA, Cermaa general, général CERMAA, Clarinette, Contemporary Arabs, Cooperations, Coopérations, Dotar, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Folk Music, Musique traditionnelle, Foredofico, Forerunners, Genera, genres, Golden Age, Guitar, Historical Musicology, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, Iconea, Idiophones, Indian Music, Musique indienne, Interviews, Languages, Langues, Languages, Langues, makam, Maqam, Mediterranean, Membranophone, Middle Ages, Moyen Âge, Middle-East, Mijwiz, Modal Systematics, Modality, Mode, Modern World, Monde moderne, Modernes, Moderns, mugam, Music Aesthetics, Esthétique musicale, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicological disciplines, Musicology, Musicology Periods, Musique, Near-East, NEMO-Online, Percussion instrument, Percussions, Periodicals, Persian Music, Musique persane ou iranienne, Philosophers and Theoreticians, PLM, Polyphony, Post-Systématistes, Post-Systematists, Praxis, Précurseurs, Publications, qanun, Raga, Regions and Countries, Research centres, sāz, Setar, String instruments, Systematical Musicology, Systématistes, Systematists, Tar, Théorie, Théorie, Theory, Tonal System, Tonality, Ṭunbūr, Turkish Music, Musique turque, Université de la Sorbonne – Paris IV, universities and other academical or artistic institution, University of London, Wind instrument, Ꜥūd
Dec 072012
English NEMO-Online Vol. 1 No. 1 is available CERMAA is delighted to inform you that the first issue, of Vol. 1 No. 1 (November 2012) is now available. It includes contributions of François Picard (France), Erik Marchand (France), Jacob Olley (Great Britain), Rosy Azar Beyhom (Lebanon), Markos Skoulios (Greece), Richard Dumbrill (Great Britain) et Amine [more...]
Posted by admin at 00:57 Tagged with: Africa, Amine Beyhom, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient World, Monde Antique, Arabe, Arabic, Arabes Contemporains, Arabian Music, Musique arabe, Arabic, Arabe, Archaeomusicology, Asia, Bibliography, Bibliographie, Books, Livres, Breton, Breton Music, Musique bretonne, British Museum, Brittany, Byzantine Chant, Chant byzantin, CERMAA, Cermaa general, général CERMAA, CETEP, Chrysanthos of Madytos, Clarinette, Contemporary Arabs, DROM, Erik Marchand, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Folk Music, Musique traditionnelle, Foredofico, Français, French, Genera, genres, Greece, Historical Musicology, Historical Periods, Périodes historiques, Iconea, India, Indian Music, Musique indienne, Kreiz Breizh Akademy, Languages, Langues, Languages, Langues, Lebanon, makam, Maqam, Mashāqa, Mediterranean, Middle-East, Modal Systematics, Modality, Mode, Modern World, Monde moderne, Modernes, Moderns, mugam, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicological disciplines, Musicology, Musicology Periods, Musique, Near-East, NEMO-Online, People, Periodicals, Philosophers and Theoreticians, PLM, Post-Systématistes, Post-Systematists, Praxis, Publications, Raga, Regions and Countries, Research centres, Richard Dumbrill, Rosy Azar, Safiyy-a-d-Dīn, String instruments, Syria, Systematical Musicology, Systématistes, Systematists, Ṭaḥḥān (at-), Théorie, Théorie, Theory, Tonal System, Tonality, Ṭunbūr, Turkey, Turkish Music, Musique turque, Université de la Sorbonne – Paris IV, universities and other academical or artistic institution, University of London, Urmawī, Wind instrument, Ꜥūd
Jul 152012
Amine Beyhom of CERMAA and Richard Dumbrill of ICONEA presented papers on July 12-14 2012 Conference at the University of the Holy Spirit (USEK) at Kaslik Lebanon. Amine Beyhom spoke about the need for accurate definition in specific terms. Richard Dumbrill spoke of possible Near-Eastern origins of both maqam and Pythagorean systems in Bronze Age [more...]
Posted by admin at 21:08 Tagged with: Accadien, Africa, Âge d’Or, Akkadian, Amine Beyhom, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient World, Monde Antique, Arabe, Arabic, Arabes Contemporains, Arabian Music, Musique arabe, Arabic, Arabe, Archaeomusicology, Asia, British Museum, Byzantine Chant, Chant byzantin, Central Asia, CERMAA, Cermaa general, général CERMAA, CETEP, Conferences, Conférences, Contemporary Arabs, Cooperations, Coopérations, Ethnomusicology, Ethos, European Folk Music, Musique traditionnelle européenne, Fārābī, Folk Music, Musique traditionnelle, Foredofico, Forerunners, Français, French, Genera, genres, Golden Age, Historical Musicology, Historical Periods, Périodes historiques, Ibn Sīnā, Iconea, Idiophones, Iran, Kindī, Languages, Langues, Languages, Langues, Lebanon, makam, Maqam, Mashāqa, Membranophone, Middle Ages, Moyen Âge, Modality, Mode, Modern World, Monde moderne, Modernes, Moderns, mugam, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicological disciplines, Musicology, Musicology Periods, Musique, North Africa, People, Percussion instrument, Percussions, Persian Music, Musique persane ou iranienne, Philosophers and Theoreticians, Polyphony, Post-Systématistes, Post-Systematists, Praxis, Précurseurs, Publications, Regions and Countries, Research centres, Richard Dumbrill, Rosy Azar, Saad Saab, Safiyy-a-d-Dīn, String instruments, Sumerian, Sumérien, Syria, Systematical Musicology, Systématistes, Systematists, Ṭaḥḥān (at-), Théorie, Théorie, Theory, Tonal System, Tonality, Tunisia, Tunisie, Turkey, Turkish Music, Musique turque, universities and other academical or artistic institution, University of London, Urmawī, Wind instrument
May 202012
The Brest conference on modality took place from the 16th to the 18th of November. Please see http://www.drom-kba.eu/Conference-musicale-Musiques.html and http://www.drom-kba.eu/Colloque-du-Pole-de-la-modalite-et.html. Amine Beyhom, Director of CERMAA, presented a conference with Erik Marchand on the 16th of November, and a paper on un-tempered instruments the next day.
Posted by admin at 17:13 Tagged with: Anthropology, Anthropologie ethnologie, Arabian Music, Musique arabe, Asia, Ateliers, Ateliers, Workshops, Biniou, Bombarde, Breton, Breton Music, Musique bretonne, Brittany, Bulgaria, Byzantine Chant, Chant byzantin, Central Asia, CERMAA, China, Clarinette, Concerts, Conferences, Conférences, DROM, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Folk Music, Musique traditionnelle, Genera, genres, Guitar, Historical Musicology, Human Sciences, Sciences humaines, Idiophones, India, Indian Music, Musique indienne, Iran, Languages, Langues, Languages, Langues, Lebanon, makam, Maqam, Mediterranean, Membranophone, Middle-East, Modal Systematics, Modality, Mode, mugam, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicological disciplines, Musicology, Musique, Near-East, Percussion instrument, Percussions, Persian Music, Musique persane ou iranienne, Praxis, qanun, Raga, Regions and Countries, Research centres, sāz, String instruments, Syria, Systematical Musicology, Théorie, Théorie, Theory, Tonal System, Tonality, Turkey, Turkish Music, Musique turque, universities and other academical or artistic institution, Wind instrument, Ꜥūd
Aug 032011
The scales of Byzantine Chant are very close, in performance and in Lebanon, to those used by the Arabian “classical” music (taught in “Conservatoires” in Lebanon). Mīkhā’īl Mashāqa, a syrian-lebanese medecine doctor and music theorist of the 19th century, claimed that the 68 division of the octave of Chrysanthos the Reformer (whom he did not [more...]
Posted by admin at 08:43 Tagged with: Ancient Middle-East, Antiquité du Moyen-Orient, Arabian Music, Musique arabe, Arts, Byzantine Chant, Chant byzantin, CERMAA, Chrysanthos of Madytos, Ethnomusicology, Ethos, Foredofico, Genera, genres, Greece, Historical Musicology, Kindī, Lebanon, makam, Maqam, Mediterranean, Middle Ages, Moyen Âge, Middle-East, Modal Systematics, Modality, Mode, Modern World, Monde moderne, mugam, Music Scale, échelle musicale, Music, Musique, Musicological disciplines, Musicology, Near-East, Philosophers and Theoreticians, Praxis, Regions and Countries, Research centres, Syria, Systematical Musicology, Théorie, Theory, universities and other academical or artistic institution