English [French translation below] NEMO-Online is delighted to propose this new article by Amine Beyhom on notational tools and graphical analyses of melody and rythm. Musical notation has been reputed as disqualified for the analysis of “Foreign” musics since – at least – the experiments of Charles Seeger with the Melograph. It is nevertheless still [more…]
Rosy & Amine Beyhom participated in the 3rd International Musicological and Psaltic Conference on Psaltic Art of the Department of Psaltic Art and Musicology of the Volos Academy for Theological Studies. The Conference took place in the Conference Center of the Holy Metropolis of Demetrias, in Melissiatika, Volos, Greece, between May 30th (official opening in [more…]
The CERMAA is delighted to publish this video animation (below) of the chant Kyrie Ekekraxa, a well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul). This animation relates to a performance in 2012 by fr. Makarios Haidamous, with the text in Arabic language. The audio was published in Amine Beyhom’s book on [more…]
New book launch from Amine Beyhom Publication du livre d’Amine Beyhom THÉORIES BYZANTINES DE L’ÉCHELLE ET PRATIQUE DU CHANT BYZANTIN ARABE (Byzantine Scales Theory and Arabian Byzantine Chant Praxis) ISBN: 978-9953-0-3048-7 To buy the book, please follow this link / Pour acheter le livre, clicker sur ce lien. English Amine Beyhom’s new book on [more…]
English NEMO-Online No. 2 : Call for papers Research groups CERMAA, ICONEA and PLM are seeking papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and subject to editorial rules. Papers to be sent before the end of July 2013 [more…]
English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to [more…]
English NEMO-Online Vol. 1 No. 1 is available CERMAA is delighted to inform you that the first issue, of Vol. 1 No. 1 (November 2012) is now available. It includes contributions of François Picard (France), Erik Marchand (France), Jacob Olley (Great Britain), Rosy Azar Beyhom (Lebanon), Markos Skoulios (Greece), Richard Dumbrill (Great Britain) et Amine [more…]
Amine Beyhom of CERMAA and Richard Dumbrill of ICONEA presented papers on July 12-14 2012 Conference at the University of the Holy Spirit (USEK) at Kaslik Lebanon. Amine Beyhom spoke about the need for accurate definition in specific terms. Richard Dumbrill spoke of possible Near-Eastern origins of both maqam and Pythagorean systems in Bronze Age [more…]
The Brest conference on modality took place from the 16th to the 18th of November. Please see http://www.drom-kba.eu/Conference-musicale-Musiques.html and http://www.drom-kba.eu/Colloque-du-Pole-de-la-modalite-et.html. Amine Beyhom, Director of CERMAA, presented a conference with Erik Marchand on the 16th of November, and a paper on un-tempered instruments the next day.
The scales of Byzantine Chant are very close, in performance and in Lebanon, to those used by the Arabian “classical” music (taught in “Conservatoires” in Lebanon). Mīkhā’īl Mashāqa, a syrian-lebanese medecine doctor and music theorist of the 19th century, claimed that the 68 division of the octave of Chrysanthos the Reformer (whom he did not [more…]