Release of HURRIAN SONG 6 (H6) by CERMAA (DUMBRILL/BEYHOM/AZAR-BEYHOM) performed by Lara Jokhadar

 Accadien, Akkadian, Alphabets, Amine Beyhom, Ancient, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Archaeology, Archaeomusicology, Arts, Cermaa general, général CERMAA, Ethnomusicology, Ethos, FOREDOFICO, Genera, genres, Historical Musicology, Historical Periods, Périodes historiques, Hittite, Hittite, Hourite, Hurrian, Lara Jokhadar, Music, Musique, Musicians, Musiciens, Musicology Periods, Musicology, Musicological disciplines, Musique, Musique ancienne, NEMO-Online, Pitch Analysis, Praat, Richard Dumbrill, Rosy Azar, Sumerian, Sumerian, Sumérien, Sumérien, Tonal System, Tonality, Système tonal, Tonalité, Tonometry, Mesures de hauteurs  Comments Off on Release of HURRIAN SONG 6 (H6) by CERMAA (DUMBRILL/BEYHOM/AZAR-BEYHOM) performed by Lara Jokhadar
Feb 152018
 

Release of the first animated video produced at CERMAA. HURRIAN SONG 6 (H6) was arranged by Richard Dumbrill, Amine Beyhom and Rosy Azar Beyhom in 2012, and performed by Lara Jokhadar. The video (below) shows the Pitch analysis of Lara’s voice with Praat, in two sections (upper and lower). The upper section offers a general [more…]

FOREDOFICO joins forces with Sinn el-Fil municipality (Greater Beirut) for the concert of Sabil / FOREDOFICO et la Municipalité de Sinn el-Fil (Grand Beyrouth) soutiennent le concert du groupe Sabil

 Ahmad Al-Khatib, Arabian Music, Musique arabe, Arts, Concerts, Contrebasse, Doublebass, FOREDOFICO, Improvisation, Mode, Modality, Modalité, Music Bands, formations musicales, Music, Musique, Musical Instruments, Instruments de musique, Musicians, Musiciens, Musique, Percussion instrument, Percussions, Ruedi Felder, String instruments, Youssef Hebeich  No Responses »
Dec 182015
 
FOREDOFICO joins forces with Sinn el-Fil municipality (Greater Beirut) for the concert of Sabil / FOREDOFICO et la Municipalité de Sinn el-Fil (Grand Beyrouth) soutiennent le concert du groupe Sabil

New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

 Agapios Paliermos, Alphabets, Amine Beyhom, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Anṭūn Hibbī, Apostolos Konstas (« Chios »), Arabian Music, Musique arabe, Arabic, Arabe, Arts, Asia, Bibliography, Bibliographie, Books, Livres, Breton, Brittany, Bulgaria, Byzantine Chant, Chant byzantin, Cantors (Chanters), Chantres, CERMAA, Cermaa general, général CERMAA, Chourmouzios (Georgiou) Chartophylax, Chrysanthos of Madytos, Contemporary Arabs, Arabes Contemporains, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Fārābī, Folk Music, Musique traditionnelle, Foredofico, Forerunners, Précurseurs, Français, French, Genera, genres, Georges Pachymerus, Georgios de Crète, Germanos Aphtonidēs, Golden Age, Âge d'Or, Grec, Greece, Greek, Gregorios Prōtopsaltēs, Hieronymos, Historical Musicology, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, Iakōbos Peloponnēsios, Ibn Sīnā, Ioannes Plousiadenos, Ioannis de Trébizonde (« Trapezoundios »), Jean Koukouzeles, Iohannes Kukuzeles, Joseph Yazbeck, Kindī, Kosmas le Mélode (« de Jérusalem » - « Agiopolites »), Languages, Langues, Lebanon, Louis-Albert Bourgault-Ducoudray, Makarios Haidamous, Manuel Bryennius, Manuel Chrysaphes (le jeune - The Young), Maqām, mugam, makam, Mediterranean, Middle Ages, Moyen Âge, Mīkhāʾ īl Mashāqa, Modal Systematics, Mode, Modality, Modalité, Modern World, Monde moderne, Moderns, Modernes, Music Aesthetics, Esthétique musicale, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicians, Musiciens, Musicologie comparative, Comparative musicology, Musicology Periods, Musicology, Musicological disciplines, Musique, Musique ancienne, Near-East, Middle-East, Nicolas Malek, Persian Music, Musique persane ou iranienne, Petros Byzantios, Petros Peloponnēsios (« Lambadarios » ; « Hirzis »), Philosophers and Theoreticians, Polyphony, Praxis, Regions and Countries, Research centres, universities and other academical or artistic institution, Romanos Joubran, Romanos le Mélode, Romanos the Melod, Saad Saab, Safiyy-a-d-Dīn, String instruments, Systematical Musicology, Systematists, Systématistes, Tambour (Greek-Grec), Tonal System, Tonality, Système tonal, Tonalité, Tonometry, Mesures de hauteurs, Transliteration, Translittération, Ṭunbūr, Turkey, Turkish Music, Musique turque, Université de la Sorbonne - Paris IV, Urmawī, Zarlino  No Responses »
Oct 252015
 
New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

New book launch from Amine Beyhom Publication du livre d’Amine Beyhom   THÉORIES BYZANTINES DE L’ÉCHELLE ET PRATIQUE DU CHANT BYZANTIN ARABE (Byzantine Scales Theory and Arabian Byzantine Chant Praxis) ISBN: 978-9953-0-3048-7 To buy the book, please follow this link / Pour acheter le livre, clicker sur ce lien. English Amine Beyhom’s new book on [more…]

Ahmed Mukhtar, Iraki virtuoso udist invited for a workshop/demo in Beirut by CERMAA/FOREDOFICO

Mar 262015
 
Ahmed Mukhtar, Iraki virtuoso udist invited for a workshop/demo in Beirut by CERMAA/FOREDOFICO

Ahmed al-Mukhtar, Iraki London based virtuoso ud player and teacher of Arabian music is invited by CERMAA/FOREDOFICO to demonstrate Iraki improvisations in the frame of a Masterclass at the Lebanese Conservatory (CNSML) in Sinn-el-Fil (Beirut-Lebanon), from 15:00 to 17:00 on Thursday the 23rd of April 2015, venue “S”. Mukhtar will also sign his new CD [more…]

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