Mar 262015
 
Ahmed Mukhtar, Iraki virtuoso udist invited for a workshop/demo in Beirut by CERMAA/FOREDOFICO

Ahmed al-Mukhtar, Iraki London based virtuoso ud player and teacher of Arabian music is invited by CERMAA/FOREDOFICO to demonstrate Iraki improvisations in the frame of a Masterclass at the Lebanese Conservatory (CNSML) in Sinn-el-Fil (Beirut-Lebanon), from 15:00 to 17:00 on Thursday the 23rd of April 2015, venue “S”. Mukhtar will also sign his new CD [more…]

 Posted by at 19:38
Mar 262015
 
Richard Dumbrill invited by CERMAA/FOREDOFICO at CNSM

Richard Dumbrill is an English archaeomusicologist. He will speak about ancient Middle-Eastern musical systems at the Lebanese Conservatory in Sinn-el-Fil (Beirut-Lebanon), from 16:30 to 18:00 on Thursday the 23rd of April 2015, venue “S”. Dumbrill’s paper to be translated by Rosy Azar Beyhom during the event. Richard Dumbrill will show that the earliest form of music [more…]

 Posted by at 19:25
Nov 252014
 

Français Le livre d’Amine Beyhom Théories de l’échelle et pratiques mélodiques chez les Arabes ‎–‎ Tome 1 est en accès libre sur internet. La version proposée (V. 1.01) a été revue et corrigée.Vous pouvez télécharger librement la version en basse résolution (impression possible à 150 ppp) à l’adresse : http://foredofico.org/CERMAA/?p=482. Bonne lecture…   English Amine [more…]

 Posted by at 12:02
Feb 062013
 

English NEMO-Online No. 2 : Call for papers Research groups CERMAA, ICONEA and PLM are seeking papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and subject to editorial rules. Papers to be sent before the end of July 2013 [more…]

Dec 272012
 
FOREDOFICO, CERMAA and ICONEA with the "Friends of the National Museum" foundation to produce a documentary film on the Making of Hurrian Song H.6.

In October 2012, ICONEA Director Richard Dumbrill visited Lebanon, initially to attend a conference in Beirut on Rituals in the Ancient Levant. The conference was cancelled following a bombing in the metropolis. Dumbrill seeked help from CERMAA/FOREDOFICO to produce a documentary film on the subject he had intended to give at the National Museum. The [more…]

Dec 072012
 

English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to [more…]

Dec 072012
 

English NEMO-Online Vol. 1 No. 1 is available CERMAA is delighted to inform you that the first issue, of Vol. 1 No. 1 (November 2012) is now available. It includes contributions of François Picard (France), Erik Marchand (France), Jacob Olley (Great Britain), Rosy Azar Beyhom (Lebanon), Markos Skoulios (Greece), Richard Dumbrill (Great Britain) et Amine [more…]

Jul 152012
 

Amine Beyhom of CERMAA and Richard Dumbrill of ICONEA presented papers on July 12-14 2012 Conference at the University of the Holy Spirit (USEK) at Kaslik Lebanon. Amine Beyhom spoke about the need for accurate definition in specific terms. Richard Dumbrill spoke of possible Near-Eastern origins of both maqam and Pythagorean systems in Bronze Age [more…]

Jul 152011
 

Theme: ‘Questioning Modality’ – “La modalité en question”   The theme for the forthcoming issue of NEMO-Online (VOL. 1) is ”Questioning Modality’ or, “La modalité en question“. Contributions welcome in English, German, French and Arabic. Please email by end of November 2011 to Amine Beyhom. Click here for guidelines Please read the discussion below, in English or in [more…]

Jul 132011
 

Launching of NEMO Online (Near-Eastern Musicology Online) The Research Groups ICONEA and CERMAA are delighted to announce the launch of NEMO Online (Near-Eastern Musicology Online), a new periodical dedicated to Near and Middle Eastern musicology. NEMO is dedicated to researches into ancient and present Near and Middle-Eastern music. It also addresses all other musical expressions [more…]