New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

 Agapios Paliermos, Alphabets, Amine Beyhom, Ancient Middle-East, Antiquité du Moyen-Orient, Ancient Music, Musique ancienne, Ancient World, Monde Antique, Anṭūn Hibbī, Apostolos Konstas (« Chios »), Arabian Music, Musique arabe, Arabic, Arabe, Arts, Asia, Bibliography, Bibliographie, Books, Livres, Breton, Brittany, Bulgaria, Byzantine Chant, Chant byzantin, CERMAA, Cermaa general, général CERMAA, Chanters, Chantres, Chourmouzios (Georgiou) Chartophylax, Chrysanthos of Madytos, Contemporary Arabs, Arabes Contemporains, Ethnomusicology, Ethos, Europe, European Folk Music, Musique traditionnelle européenne, Fārābī, Folk Music, Musique traditionnelle, Foredofico, Forerunners, Précurseurs, Français, French, Genera, genres, Georges Pachymerus, Georgios de Crète, Germanos Aphtonidēs, Golden Age, Âge d'Or, Grec, Greece, Greek, Gregorios Prōtopsaltēs, Hieronymos, Historical Musicology, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, Iakōbos Peloponnēsios, Ibn Sīnā, Ioannes Plousiadenos, Ioannis de Trébizonde (« Trapezoundios »), Jean Koukouzeles, Iohannes Kukuzeles, Joseph Yazbeck, Kindī, Kosmas le Mélode (« de Jérusalem » - « Agiopolites »), Languages, Langues, Lebanon, Louis-Albert Bourgault-Ducoudray, Makarios Haidamous, Manuel Bryennius, Manuel Chrysaphes (le jeune - The Young), Maqām, mugam, makam, Mediterranean, Middle Ages, Moyen Âge, Mīkhāʾ īl Mashāqa, Modal Systematics, Mode, Modality, Modalité, Modern World, Monde moderne, Moderns, Modernes, Music Aesthetics, Esthétique musicale, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicians, Musiciens, Musicologie comparative, Comparative musicology, Musicology Periods, Musicology, Musicological disciplines, Musique, Musique ancienne, Near-East, Middle-East, Nicolas Malek, Persian Music, Musique persane ou iranienne, Petros Byzantios, Petros Peloponnēsios (« Lambadarios » ; « Hirzis »), Philosophers and Theoreticians, Polyphony, Praxis, Regions and Countries, Research centres, universities and other academical or artistic institution, Romanos Joubran, Romanos le Mélode, Romanos the Melod, Saad Saab, Safiyy-a-d-Dīn, String instruments, Systematical Musicology, Systematists, Systématistes, Tambour (Greek-Grec), Tonal System, Tonality, Système tonal, Tonalité, Tonometry, Mesures de hauteurs, Transliteration, Translittération, Ṭunbūr, Turkey, Turkish Music, Musique turque, Université de la Sorbonne - Paris IV, Urmawī, Zarlino  No Responses »
Oct 252015
 
New book launch from Amine Beyhom / Publication du livre d’Amine Beyhom sur le chant byzantin

New book launch from Amine Beyhom Publication du livre d’Amine Beyhom   THÉORIES BYZANTINES DE L’ÉCHELLE ET PRATIQUE DU CHANT BYZANTIN ARABE (Byzantine Scales Theory and Arabian Byzantine Chant Praxis) ISBN: 978-9953-0-3048-7 To buy the book, please follow this link / Pour acheter le livre, clicker sur ce lien. English Amine Beyhom’s new book on [more…]

Mar 262015
 
Ahmed Mukhtar, Iraki virtuoso udist invited for a workshop/demo in Beirut by CERMAA/FOREDOFICO

Ahmed al-Mukhtar, Iraki London based virtuoso ud player and teacher of Arabian music is invited by CERMAA/FOREDOFICO to demonstrate Iraki improvisations in the frame of a Masterclass at the Lebanese Conservatory (CNSML) in Sinn-el-Fil (Beirut-Lebanon), from 15:00 to 17:00 on Thursday the 23rd of April 2015, venue “S”. Mukhtar will also sign his new CD [more…]

 Posted by at 19:38
Feb 062013
 

English NEMO-Online No. 2 : Call for papers Research groups CERMAA, ICONEA and PLM are seeking papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and subject to editorial rules. Papers to be sent before the end of July 2013 [more…]

Dec 072012
 

English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to [more…]

Jul 152012
 

Amine Beyhom of CERMAA and Richard Dumbrill of ICONEA presented papers on July 12-14 2012 Conference at the University of the Holy Spirit (USEK) at Kaslik Lebanon. Amine Beyhom spoke about the need for accurate definition in specific terms. Richard Dumbrill spoke of possible Near-Eastern origins of both maqam and Pythagorean systems in Bronze Age [more…]

Jun 072012
 

CERMAA welcomed recently Jean During, a senior researcher at CNRS – France. Jean During led three interviews on June 03 2012 with renowned Lebanese music teachers and musicians Imane Homsy (qanun), Joseph Loueizeh (teacher of singing and numerous other activities – member of CERMAA and founding member of FOREDOFICO) and Saad Saab (`ud teacher and [more…]

Excerpts from Astrakan concert and workshop in Beirut

 Amine Beyhom, Anthropology, Anthropologie ethnologie, Arabian Music, Musique arabe, Arts, Asia, Ateliers, Workshops, Biniou, Bombarde, Breton, Breton, Breton Music, Musique bretonne, Brittany, Bulgaria, CAMP, Central Asia, CERMAA, Cermaa general, général CERMAA, Clarinette, COLIM, Concerts, Conferences, Conférences, DROM, Erik Marchand, Ethnomusicology, Europe, European Folk Music, Musique traditionnelle européenne, Folk Music, Musique traditionnelle, Foredofico, Guitar, Historical Periods, Périodes historiques, Human Sciences, Sciences humaines, India, Indian Music, Musique indienne, Iran, Kreiz Breizh Akademy, Languages, Langues, Languages, Langues, Lebanon, Maqām, mugam, makam, Mediterranean, Membranophone, Modal Systematics, Mode, Modality, Modalité, Modern World, Monde moderne, Music Scale, échelle musicale, Music, Musique, Musical Instruments, Instruments de musique, Musicology Periods, Musicology, Musicological disciplines, Musique, Near-East, Middle-East, People, Percussion instrument, Percussions, Persian Music, Musique persane ou iranienne, Polyphony, Praxis, Raga, Regions and Countries, Research centres, universities and other academical or artistic institution, Rosy Azar, Saad Saab, sāz, Simone Alvez, String instruments, Systematical Musicology, Théorie, Theory, Tonal System, Tonality, Système tonal, Tonalité, Ṭunbūr, Turkey, Turkish Music, Musique turque, Yann Gourvil, Ꜥūd  Comments Off on Excerpts from Astrakan concert and workshop in Beirut
Jun 062012
 
Excerpts from Astrakan concert and workshop in Beirut

Simone Alvez and Yann Gourvil’s Astrakan directing a workshop and performing in Beirut (see post http://foredofico.org/CERMAA/?p=325)   Listening to Astrakan in Beirut Kan al lagouterion 02 (master) 11 Barzh an Infern 03 (master) 11 An Dezertour-rvb 01 (master) 11 An daou gamerad fidel 03 (master) 11   Photo Gallery   Please visit Astrakan’s web site: [more…]

May 202012
 

Un atelier de musiques bretonnes a été organisé au CNSML (Conservatoire National Supérieur de Musique au Liban) à l’initiative du CERMAA et de FOREDOFICO, en collaboration avec la direction du conservatoire. Le musicien Yann Gourvil et la chanteuse Simone Alvez, invités par le CERMAA et FOREDOFICO, ont dirigé l’atelier le jeudi 26 avril dans la [more…]

Aug 032011
 

CERMAA co-organises in Brest (Brittany – France) in November 2011 a Conference on “Modality – A Bridge Between East and West” with DROM. Amine Beyhom will read a pre-Conference paper on General Modality, while Erik Marchand will explain, on this occasion, the Modal aspects of Brittany Music. Amine Beyhom will also read a paper on [more…]

Jul 192011
 

We have added this day two new pages for Associated Research Centers and Outside Links, hoping they will be useful.